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A to Z of Photojournalism
A for “Art?”
Photojournalism has a well-known taste in art. But others challenge the idea of photojournalism as an art. Journalism often tells the truth. Does Art mean something creative? Or am I just putting style on the content? If photojournalism is an art, is it just a matter of importance, more “fun” and less “truth”? – In other words, is it worth looking at pictures of human suffering while drinking champagne in art or lattés in a picture book? There are no short and definitive answers to these questions, so let the debate continue!
B for “Black & White”
This was all there was to the first century of photography. As color photography began to appear more frequently, from the 1960s onwards, it was met with outrage, even accusations of blasphemy. In the 1980s photojournalism was dominated by color images and today, interestingly, black and white is again, not from the inevitable, but as an acceptable stylistic choice. An argument that is often heard is that black and white images focus on the viewer what it is of the picture, better than the picture.
C for “Canon vs. Nikon”
Two of the biggest camera manufacturers in the world today. Photographers often engage in friendly mud-slinging competitions between Acceptable and Nikonians. Both of these cameras are excellent, with a large selection of lenses to go along with the world-class working environment.
D for “Digital Photography”
Digital cameras have had a huge impact on photography. There is no need to control in the darkroom. Photos can now be sent instantly from anywhere in the world. You don’t have to decide between color or black/white film before shooting. And you can have 20 “rolls” of film on a stamp-sized memory card. But despite all these practical improvements, has the actual quality of photography progressed? This has led to a boom in the stock market, and the fear is that prices will drop to the point where it is no longer economically viable for many professionals to make a living. The line between professional and non-professional is beginning to blur.
E for “Eddie Adams” (1933-2004)
American photographer perhaps best known for his haunting portrait of a Vietnamese police chief killing a Viet Cong prisoner in a Saigon street, at point blank range (1968). The photo won Adams both the World Press Photo Award and the Pulitzer Prize, but Adams later apologized to the police chief for the damage he caused by taking the photo.
F for “flickr”
A pioneering website, allowing free online storage of images. With about 30 million users and about 4 billion photos (numbers not confirmed), it is probably the largest photo gallery in the world today. It is loved and hated. Most users like to have their work seen and appreciated by others. But it is difficult for many professional users, because copyright and licensing are not well regulated, or respected, to say the least.
G for “Google Photos”
Images larger than flickr. Except it’s not a list of pictures, but an index of pictures on the Internet. Its potential to attract stock photography is high but it is underutilized by professionals – the search engine is bad, most of the images are dangerous and you are not allowed to use them. In time, that may change, and perhaps we will look back on Daguerreotypes as a precursor to photography today!
H for “Henri Cartier-Bresson” (1908-2004)
A very famous French photographer whose trademark was taking vivid, black and white photographs, which he called “the last minute”.
I for “iPhone ®”
The iPhone (and most other phones now) has a nice little camera built in. Then suddenly, anyone with a cell phone can become a news photographer! More and more stories are being shot by “citizen journalists” with their mobile cameras. But for professional photographers what they do is still simple and easy ways to view email, calendar, maps, audio recording and more. – not to mention talking on the phone with people!
J for “Jacob Riis”
A pioneering Danish-American photographer (1849-1914) whose portraits of New York’s tenements, called “How The Other Half Lives”, led to a political revolution. Although many of his photographs were made, they became an inspiration to many later photographers.
K for “Kodachrome”
The film that helped us see the world of color! Kodachrome, introduced in 1935, was the first multi-color film. After the digital revolution, Kodachrome film was discontinued in mid-2009
L for “Leica”
A famous German camera manufacturer whose compact and sophisticated cameras revolutionized photography in the 1920s and 1930s. Leica cameras have been a household item for professional photographers for half a century and are still loved today for their handling, image quality, color profile etc.
M for “Magnum”
Artists’ Union founded in 1947. It continues to be the home of the world’s greatest artists, living and dead. Magnum can probably be said to emphasize the image quality of most images.
N of “National Geographic Magazine”
One of the oldest magazines there, it started in the late 1800’s and is still published today, in the 1900’s. Known for many things, but especially for its pictures and stories. In its heyday, the magazine became a global collector’s item, with stories and photographs of exotic people and places. His position as one of the “golden standards” of photojournalism suffered somewhat because the brand was restructured to Multilingual and span travel, travel, TV, children’s toys etc. But the quality of the yellow border on the cover is still as it has always been.
Oh for “On the Draw”
A groundbreaking book by Susan Sontag, analyzing the changes that images have made in our way of seeing the world. In short, he argues that photography has made us more passive and more concerned with appearance to the point where images have unwittingly replaced reality.
P for “Paparazzi”
A special kind of photographer, who is often ridiculed for chasing and taking pictures of famous people when they least expect it. Respect for privacy and human rights (Article 12 of the UN Human Rights Declaration). On the other hand, celebrities need exposure on social media to stay popular and many magazine readers are attracted to celebrity images.
Q for “Quad-sided”
Amazingly, all aperture lenses are circular and all images are four (4) sides! Have you ever wondered why? (Sorry, ‘Q’ was hard!)
R for “Royalty Free”
An image buying/licensing process that many buyers prefer because of its simplicity. And in the same way they are despised by many artists, since the price is calculated without affecting the work, the maintenance, the number of working hours, etc. The broad use of freedom should be understandable because of the high image price, but often (read: microstock) is very different!
S for “SEO”
Aka “search engine optimization”, a technique that is widely used among photographers to try to attract new customers and opportunities on the Internet. SEO strategies can significantly improve a website’s chances of appearing at the top of Google’s search results page.
T for “TIME Magazine”
A weekly magazine published since 1923. It has a history of popularizing cartoon pieces. Although it has high standards and is a global brand, like many other magazines, it is now experiencing a low number of subscribers and advertising revenue.
U for “Uv Filter”
A filter placed in front of the camera lens to protect against bright light. On top of that, strong UV light can damage the colors and texture of a photo. However, extensive use of UV filters often only protects the front part of expensive lenses from damage.
V for “Visa pour l’Image”
The International Photojournalism Festival is held every summer in Perpignan, France.
W for “World Press Photo”
Perhaps the world’s most prestigious photo award. With few exceptions, it has been happening since 1955. Recently he was criticized by some of his judges who “show a form of photojournalism that is more romantic than work” (Stephen Mayes) which, I think, is rooted in this genre. about what they receive. Another (anonymous) judge said “90% of the pictures [in the competition] and about 10% of the world. “
X for “Xpro”
Aka cross-processing. Since the days of film, when ‘negative’ chemicals were used to create negatives. They are used on purpose to give the image a certain surreal/beautiful look.
Y for “Yann Artus-Bertrand” (b. 1946)
The French photographer is famous for his aerial photographs of nature around the world, which were documented in the project “Earth From Above”. As a traveling show, it has been seen by more than 100 million people. Although his work is far from modern photography, it has a strong element of “environmental photojournalism”.
Z for “Zoom vs. Prime”
A question that never ceases to appear in photographers’ conversations: “Do you prefer to use a zoom or a prime lens?” There are both technical and non-technical factors to consider. Zooms are often useful and flexible to work with, ideal for work on the move and for reporting, events and short projects where you only get one shot at what you need. They’re lighter to work with compared to carrying two bodies/multiple starters, but starters themselves are often smaller, lighter, faster, stronger and more attractive – which is why some techies prefer them. But there is also the question of your working methods. Some like primes because they don’t have to think about yield but can focus on time. They know exactly what the frame will hold and therefore move around a lot, probably with good results. And finally, the use of only one object provides consistency, while views can provide many types of images.
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