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Marching Through Georgia
This book is the first in the Draka series, and in my opinion, it is without a doubt the best of the series. There is so much written (mostly online) about this series, it’s hard to know where to start, but I’ll keep going.
Basically the book starts with a map of the world as it should be in this time of 1942. What we see is Nazi Germany which has apparently conquered most of Europe (except the UK), including the European part of Russia, the remnants of Soviet rule beyond Urals, Japan that has conquered half of Eastern China, the East Indies, and a large chunk of Australia, the USA that includes North and Central America, from the Arctic to Panama, South America. they were divided between 4 major countries, and most surprisingly, a new country, the “Domination of Draka”, which includes all of Africa, the Middle East, Turkey, Central Asia, and the western half of China.
The book itself is a war story, but with a lot of history filled with both in the plot, including fictional quotes (from books, characters, etc.) that lead each chapter. The idea is basically Draka, he joins the war against Nazi Germany, and an American journalist (who probably comes from William L. Shirer) is sent to cover the events. The Drakas themselves are a dystopian group, a mutant descendant of apartheid South Africa mixed with slave groups from the Caribbean and the American South, with Spartan-like weapons thrown in for good measure.
Perhaps one of the main reasons why these books have attracted so much attention, is that Draka is used repeatedly as a character. Obviously this is not interesting or inconsistent due to the disgusting nature of the Draka people – some people wrongly say that Stirling somehow subscribes to this opinion (he has clearly stated that he is not). Another thing is that the Draka has a lot of weapons – automatic guns, tanks similar to the M1A1 Abrams, aircraft similar to the A-10 Thunderbolt II, and therefore some readers say that they feel sorry for their enemies. – those in the book are Nazis.
At the end of the book there are some notes on the various details of the Draka group, and the period when the Draka came from the 18th century, to conquering all of Europe (except the UK) and most of Asia. , at the end of the analogue of the Second World War (called the “Eurasian War”).
As I’ve said throughout this review, what with the maps, the fake text, the notes on the Draka community, and the timeline, this book is presented as another great history. This is another reason for conflict – since we have a war that begins like World War II (and in the timeline of the end, we also have World War I, the Russo-Japanese War, the American Civil War, etc.), full of people from the past like Hitler, Goering, Daladier, De Gaulle, although there is a large army holding slaves at the door of Europe. If you believe in the effect of the butterfly, this is amazing, but even if you don’t, you can hope that other powers will consider this in their social and military policies instead of fighting between them until they. eventually they move on.
The ability of the Draka tribe has also been challenged: they are highly civilized and highly skilled warriors, although they are noble slavers. They grow very quickly – within 20 years of settling in South Africa as a small British colony, they not only conquered the French territories in West Africa, but also conquered Ceylon, Egypt, Crete and Tunis. I could go on, but the main point of this criticism is that they grow too much, too fast, and in a way that does not match the type of people they have.
Do you know? I don’t think it matters. What makes these books worth reading, and interesting, or interesting to many people, has nothing to do with what makes sense or not.
I think Draka is just Stirling’s idea of the worst and most powerful baddies. You’ll also notice that in the Draka series, you’ll also find almost every weapon you like from controllers to Project Orion, and from military vehicles to virtual worlds – and I think that’s part of it. My guess is that Stirling is trying to push the genre to its limits, and using Draka as a visual medium is one of Stirling’s games with his readers.
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